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FRENCHIES - Fabulous FLOCKED French Hairpins. No Slip-Extra Grip-Soft to Touch-Color Match-No Skin Scratch. U-Shaped. Available in Black, Brown, Blond
FRENCHIES - Fabulous Flocked French Hairpins are uniquely designed hairpins created to
keep all hairstyles, buns, extensions, wigs in place without poking or scratching the skin. This innovative product comprises a traditionally U Shaped French Hairpin now
FLOCKED WITH FIBER COATING, which creates a high-friction soft surface to hold the
hair in place for extended periods of time. FRENCHIES are a
19/05/2026
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Beautiful always a vibe 🖤 Cannes 2026 Day one with thank you team xx mua hair me using styling
18/05/2026
Hair with Frenchies Blond Velvet No-Slip Hairpins 💫❤️🕊️
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Opening Ceremony at the Cannes Film Festival 🖤✨
An unforgettable start to Cannes with the endlessly radiant , shimmering in and styled to perfection by in iconic FW2007 .
Beauty by the team
MUA
Hair by using
With love to everyone behind the magic:
eointhomashiggins
✨
Captured beautifully by &
PoppyDelevingne Chopard JohnGalliano Galliano RedCarpet OpeningCeremony ForwardArtists SessionStylist CelebrityHair HairArtist EditorialHair LuxuryBeauty FashionMoments CannesRedCarpet BeautyEditorial ColorWowHair Kerastase SharkBeauty LaBonneBrosse HairStylistLife RedCarpetGlam FashionWeekArchiv
28/04/2026
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“So I didn’t tell anyone I was making music. Some people are perhaps finding out as they read this…” has unveiled her debut EP 001 and everyone needs to listen to it right now.
Produced by accompanied by beautiful visuals from , and
Photographs by styled by hair by with makeup by
17/04/2026
Thank you ! We are deeply honored to receive this meaningful award! 💫🤍🕊️
✨ Dear The Busy Bunhead | Adult Ballet Dancer Thank you so much for featuring Frenchies Velvet Coated No-Slip Hairpins on your beautiful and informative podcast! We’re so grateful to be part of the ballet community 💞🕊️
Looking for the best no-slip ballet hairpins for perfect buns that stay all day? Frenchies are designed for dancers, ballerinas, and hairstylists who need secure, gentle, and damage-free hold ✨
🌷 Use code AFTERCLASS10 for 10% OFF
🎧 Watch the After Class Adult Ballet Podcast here:
https://youtu.be/F2fRjPj0A-E?si=noMJL9pRD7_9-EOX&t=1252
31/03/2026
By ❤️ Rock legend Mick Jagger made a swift red-carpet appearance with partner Melanie Hamrick at the Vanity Fair Oscar Party in Beverly Hills - smiling for cameras before quickly heading inside to join Hollywood’s biggest post-Oscars celebration. After a few seconds in front of the flashes, it was time to make some moves… like Jagger.
By 🕊️
x for
Hair for by using (avail in the UK )
Make up by
Love our glam sessions especially when they include French fries and champs!
Happy Birthday Beautiful Talented .hunt 🤍🌷🕊️
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Elizabeth Bennet messy bun updo 🫖 I had to do this Pride and Prejudice hairstyle when I was visiting England- I felt like I was in a Jane Austen novel 📖
velvet no-slip hair pins with charms (geena20 or on my storefront) comb
Words cannot describe the gratitude we feel being reviewed by such an incredible talent and kind soul, Leticia Dias — First Soloist of the Royal Ballet and Opera.
Dear thank you so much for your kind words, we admire you deeply! Congratulations on the debut of Giselle! 🕊️
Dear Anna & thank you so much for your kind introduction! 🤍
Your fans,
Elena & Elena
Frenchies🤍🕊️
Please continue to this beautiful and inspiring interview:
“She owns the forest”
For her debut as Myrtha in Giselle, Leticia speaks about building the character of the Queen of the Wilis rehearsal by rehearsal, discovering the detail in every glance and gesture.
From the first quiet entrance to the final solo, the role demands control, stamina and the ability to hold both the Wilis and the audience in her grasp.
🎥 Filmed by : , Dame Monica Mason
19/03/2026
CRASH 108 - THE PRIVACY ISSUE 🤍🕊️
”Is it still possible to preserve one’s privacy in this day and age? We live under the pressure of social media, which shapes our bodies and minds. How far will this cult of appearance go? And where does this need for transformation come from? The commodification of our private lives – showing off our homes, our money, our lifestyles, an idealized representation of our lives and appearances – pushes us to present a false image of ourselves. But is all social representation already theater? Guy Debord analyzes the celebrity as a product of the society of spectacle, where appearance replaces lived experience. But can we be heard, be visible, without losing ourselves in the spectacle? The new generation, nostalgic for the 1990s, is trying to reject social media. Instagram and Facebook are losing followers. Is a return to “real life” possible? Some writers and artists have decided to remain anonymous. Is this stance still tenable today? This issue provides some answers, thanks to all the talented contributors.“ A.L
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Cover 1: ’Private Signature‘
A fashion story to celebrate the 130 years of Louis Vuitton Monogram shot by Elina Kechicheva and styled by Chiara Ficola.
See the full story in Crash 108.
Editor in chief
Photographer at
Models Pan Tian at , .gll at , at , at and .kablukova at
Style
Make-up
Hair with
Casting director at
Producer Candice Carcaillon at
Production coordinator at
Photographer assistant
Style assistants and
Make-up assistant
Hair assistants and Kasper Bjorg
Graphic design
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