Atomic Analog

Atomic Analog

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Analog Music Gear & Analog Recordings made by Vinny Wood. Based in the East of Iceland at Fish Facto Then the two combined forever-more! Contact us for more info!

I have been building Electronic Gadgets since I was about 11 years young, and only a few years after that I got big into music. I have spent many years building amplifiers (both tube and transistor), effects units, loudspeakers, and anything else that involves making or messing with sound. Atomic Analog is now becoming a brand name for Professional Studio Equipment, with our first product, the Special OP-6 tube preamplifier, soon to be available by direct order.

Photos from Atomic Analog's post 18/06/2026
Photos from Atomic Analog's post 17/06/2026

Throwback to 2006. I needed a dual mic pre for bootlegging concerts on a mini disc recorder using XLR condenser mics (just 9V phantom needed). So I built this little thing around a INA2126 chip and a TL074 quad opamp. The Pan pots allowed me to mix two mics to mono if needed. After sitting unused for at least 18 years I plug it in and it's fine (battery full, woohoo!). Except for one issue. In this instance I am feeding the unbalanced outputs into little isolating transformers in order to send the signals about 100m through ethernet cable. Only a severely high passed signal comes through. The reason is explained in the last image/scribble; I hadn't grounded the ring contacts on the output jacks in the little preamp. This doesn't matter when connecting to electronic differential inputs as the + & - are referenced to ground, but when connected to a transformer the primary of the transformer needs a return path for the signal, otherwise it has no reference and no current can flow! And the reason why you will get heavy high-pass effect is due to the capacitive coupling through the transformer windings, allowing only the very highest frequencies to leak through. If you wanna be really safe then you should ground the ring (or XLR pin 3) on unbalanced I/O with a 47Ω resistor. The reason for this is that some early electronically balanced output stages did not like it when one side was accidentally shorted to ground. Damage could occur, or at least some distortion in the other signal. Modern designs always (!?) have build-out resistors to protect against this.

Photos from Atomic Analog's post 16/06/2026

*Vinny sells all his hoarded crap*... more vintage RCA transformers are now on my Reverb shop. Input types this time. The exact ones (901046) are used in the RCA BA1, BA2, and the 76 consolette mixer. You rarely see these for sale.

15/06/2026
14/06/2026

Building custom battery packs... But for what???

Photos from Atomic Analog's post 13/06/2026

I have listed a few ex-demo Tonograf EQs on my Reverb.com store. And hit me up directly if you want an even bigger discount 😉.

10/06/2026

has close to 100 working mics, yet there are a lot more in the non-working department in the workshop! An insight into the dark shelves of a mic repair guy/mic addict. And this is just a fraction of what's there (didn't go near the condenser & ribbon mic boxes, bar the massive ElaM).

09/06/2026

Here's myself and my son Bassi getting rather excited about the most expensive parts shipment of the year so far (I'm trying to implant the audio gear/electronics nerd streak in him already)... These little chunks of copper and nickel will go into the next batch of Tonograf EQs 🔥

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