Healing on the Move

Healing on the Move is looking for Board Members

Some organizations are built once.

Others are built continuously by the people who dare to imagine what they could become.

Healing on the Move is establishing its first Board of Directors, and we are looking for people who want to help shape the future of care, solidarity, and social justice across borders.

If this speaks to you, and you would like to join our board, we would love to hear from you.
Application link in the Bio

Applications are open until 31 July 2026. We encourage interested candidates to apply early, as conversations may begin before the deadline.

https://forms.gle/xzduaq1AFM7ANHTH6

Do you miss Gent? Or would you like to visit soon?
Here are 2 Playback Theatre Workshops in Gent, Belgium
Workshop 1: Holding Traumatic Stories — Playback Theatre Level 2 Deepening our capacity to hold difficult material with steadiness, symbol, and care — the container, the witness, and the conductor's hand.
27–30 August 2026, Ghent, Belgium. Sliding scale fees.
Register:
https://forms.gle/7CnwHRbeMdzGwWbk7
Workshop 2: The Heart of the Story — Playback Theatre Level 2
Four days in Ghent, Belgium, exploring the arc, the red thread, and the echoes of a story, rooted in Playback's classical long form. Day one ends with a community performance. 10–13 September 2026. Sliding scale fees.
Register:
https://forms.gle/BZxazJyQ7Py9iGmeA
Healing on the Move

The Heart of the Story — Playback Theatre Level 2 with Hane Alrustm.

Four days in Ghent, Belgium, exploring the arc, the red thread, and the echoes of a story, rooted in Playback's classical long form.

Day one ends with a community performance. 10–13 September 2026. Sliding scale fees.

Register:

https://forms.gle/BZxazJyQ7Py9iGmeA

Over the past weekend, we facilitated a Playback Theatre workshop focused on Conducting Skills, bringing together a group of six dedicated practitioners, each carrying a wealth of stories and lived experience.

The workshop began with a challenge: a live Playback performance at Palestine Café as part of the Eye on Palestine Festival. Each participant stepped into the role of conductor, holding space for moments and stories that would later become the ground for reflection and learning throughout the workshop.

What emerged was not a casual performance. It was layered, demanding, and deeply moving. Stories unfolded around loss, rage, war, destruction, hope, resistance, and self-love—each one held with care, each one shaping the collective experience.

This process set the tone for the days that followed: a practice rooted in presence, responsibility, and the ongoing work of listening and witnessing.