Gabriela Heath Mua

Gabriela Heath Mua

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Award Winning Makeup Artist specialised in Makeup Design and SFX for Film and TV

05/06/2026

This post is for education only. Do not try this at home as a novice❗ Risks include visible ridges, palpable threads, asymmetry, infection, and vascular injury.

If you want thread lifting, see a qualified professional — an injector or a doctor.

I am 49. I want to look younger, not older. That is why I choose medical-grade collagen induction over surgery or filler for now. But I choose safety first — for myself and for anyone reading this.

Education, not inspiration❗

What is collagen induction therapy with Tornado Screw PDO threads?

Collagen induction therapy means placing absorbable sutures into the skin to trigger your own collagen production. No lifting. No filler. Just biostimulation.

I chose this because I recently lost 38 kg. I am 49. Age already slows collagen. Weight loss adds sagginess. I want to look younger, not older, without surgery or fillers just yet.

Bruising after threads is normal. I use arnica cream to help mine fade faster. Most injectors use anesthetic cream on their patients before treatment. I did not use any because I am ok with the pain. You can choose either.
PDO (polydioxanone) sutures are absorbable surgical threads. When placed into the skin, they trigger your body to build new collagen along the thread path. No lifting — just biostimulation.

Tornado Screw threads have a spiral texture. That means more surface area, more controlled inflammation, and more collagen over time.

I used 26G 60mm threads, made in Korea (high standard). I placed them in three areas:

Lateral cheeks — to support the skin that wrinkles when I smile. Jawline — to add definition. Under the chin — to tighten mild laxity.

I also did microneedling one week ago (1.0 mm, 16-pin). These threads are an add-on, not a replacement. Both work together.

I worked sterile. Gloves. Chlorhexidine. Aseptic technique.

But here is the most important part.

I am a qualified injector, a qualified phlebotomist, and currently studying medicine. I performed this on myself after years of training. You should not❗

This is for education purpose only❗

31/05/2026

Stepping back into the wax pot after a few years ... and honestly, it felt good. 👏

I’m a makeup artist by trade, but before that, I trained as an advanced cosmetologist. Skin is skin, and taking care of it is where a good foundation starts

No sets, no cameras today, just a clean wax, smooth legs, and remembering why I love this side of the craft.

Sometimes the best work isn’t on a film set. Sometimes it’s in the small moments of feeling useful, skilled, and back in your element.

Here’s to keeping all the skills sharp. 🕯️

Music by

28/05/2026

10+ years. Netflix, HBO, BBC, Amazon Prime. BAFTA Crew. Trained with the best. No ego. Just work. 🎭

I'm open for 2026 – TV, film, commercials, fashion editorial or advertising. UK-based. On-site or hybrid.

Specialties: Beauty • SFX • Prosthetics • Wigs • Barbering • Makeup design • Crowd & Dailies

📩 [email protected]
🌐 filmandtvmua.com (link in bio)

If you're hiring or know someone who is, please share or tag below. Grateful for this community.

23/05/2026

If you want to learn SFX Makeup in your own time at home or transition from beauty makeup to SFX then my book is for you.

Packed with step by step demos on various makeups and how to work with wax, latex, silicone, fake blood, prosthetics. You learn a bit of history about makeup. Teaches you how to build your kit, color theory, sanitisation, contraindications and tips in how to break into the Film and TV industry.

Available for purchase as paperback or kindle version on and or

Thank you to the amazing sponsors who backed this book up.
smith



Links in my Linktree.

20/05/2026

Just a reminder that if youre looking to buy ready made silicone prosthetics, I sell a few on my website and on Etsy in my shop under the name

26/04/2026

The Evolution of the Mask: From Hiding to Power 🎭

For a long time, I was the girl behind the mirror. At first, makeup was simply my shield—a way to cover the damage and hide from a world that didn’t feel safe. But survival eventually gave way to something far more potent: Identity.

My journey hasn't been a straight line; it has been a transition from hiding, to navigating, and finally, to mastering.

I stopped running from the bruises and started studying them. I turned the physical and psychological markers of my own history into a professional toolset. Today, I use that lived knowledge to tell stories bringing characters to life on the cinema screen with a level of biological and emotional honesty that only a survivor can provide.

My books are the psychological blueprint of this transformation:

📖 The Girl Behind the Mirror -
This is more than a memoir; it is the process of moving from self-concealment to self-acceptance. It’s about the curiosity that allowed me to stop fearing my reflection and start exploring the power within it.

📖 Synthesis-Survival Polymath -
This is the framework of how I turned trauma into a high-level craft. It explores how we take the fragments of our past and synthesize them into a "tool of power"—becoming multi-skilled out of a necessity to thrive.

Following my recent diagnosis of CPTSD, these works feel more vital than ever. I am no longer hiding behind the paint. I am using my history to build worlds, proving that the very things meant to break us can become our greatest professional strengths.

The mask is no longer my prison, it is my choice.

Both of my new books are available on for purchase.

21/04/2026

Unconventional (2026) TV Pilot I had the pleasure designing makeup for
Production co: TinyGiants / Anderson Entertainment.

Director:
Producer:
Producers: Mihaly Gal, Michael Penketh, Vicky Kjaer Jensen.
DOP: 🎬
1st AC:
2nd AC:
Camera Trainee:
Steadicam/ B cam Operator:
Gaffer:
Spark:
DIT:
Unit stills:
Sound Mixer:
Boom Op:
1st AD: Dominic Threlfall
3rd AD: Laurent Durham
Production Manager: Karen Taylor
HMU Designer: Gabriela Heath

HMU Designer: Gabriela Heath
MUA: Anna Chucon, Andreea Mathe
AMUA:
Costume Designer: Karen Grover
Casting Director: Shakyra Dowling
Production Designer: Matthew Clark
Art Director:
Set Designer: Chris Thompson
Location Manager: Oliver Laurenson Gore
Location Assistants: Maccon Forsyth & Tom Osbourne
Transportation: David Hazelwood
Craft Services: Jack Mattock & Timothy McFeeters
Production Assistant: David Edwards
Editor: Stu Gamble
Post Sound Mixer: Alex Dimitriu

Starring:
Ciara Baxendale, Stu Gamble, Clarke Amson, Alan Ford, Theresa Petts, Alexander Perkins, Suzette Llewellyn, Bob Golding, Jacob Deakin, Ranjit Krishnamma, Jon Campling, Ashley Cavender-Jonee, Alex Bhat, Kadell Herida.

Shot on
Ursa Mini Pro G2 //
Orion 2x Anamorphics

Lighting from .lighting with rentals from

20/04/2026

I had the tremendous pleasure a few years back to meet and work with the truly amazing Toyah Wilcox on Swipe Right feature film directed by

07/12/2025

I made a little video just to show you how I do an eyelash lift. This is how I do it, others might do it differently but this is how I get my best results.

Just a note: Always perform a 24h patch test before doing this kind of treatment as it can cause huge allergic reactions and loss of eyesight. Is not something to play around with so a patch test is imperative to be performed before treatment.

A lash lift/ lash perm will last anywhere between 6 to 8 weeks depending vermy much on each individuals eyelash cycle growth and how well you care for them but finally as we grown new eyelashes the new lashes will grow uncurled. Thereform a lash lift/ perm will hold as long as your natural lashes hold the curl till new lashes grow.

Proper aftercare is crucial. Avoiding oil-based products and harsh makeup removers, not rubbing your eyes, and being careful when sleeping can help extend the life of the perm.Also avoid saunas and swimming as these weaken the perm.

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